![]() ![]() These can be assigned to any keys via the “KS” area on the GUI. There’s a keyswitch block which allows you to move between legato and and non-legato (polyphonic) playing. Set your MIDI track to this number, quantize, and you will be on-time. The library is globally delayed at -140.1 ms (to the closest mic: CL-1C). You can change these to your taste by going to the Monitor in Kontakt, typing in “soft” or “hard,” selecting the groups, going to the Mapping Editor and and making sure only zones for those groups are shown, and then changing the zone velocities. Because of their performed nature, the releases are not designed to work with these softer attacks on shorter notes.īy default, the soft/hard velocities occupy 1-39/40-127. There are also soft attacks in the library, designed mainly for opening phrases, and pad writing. The releases are timed & optimized for the hard attacks, allowing you to vary note length anywhere from short to long fluently, via performance and programming approaches. If you dont do this first, FL Studio will most likely become unresponsive when doing the next step. VEP should now be ready to work but as you can see the CPU meter is at 9 already. (And of course, have the VEP Server opened on the computer or slave) 2. The hard attacks are reasonably multi-purpose and occupy velocities 40-127. Open the Vienna Ensemble Pro (64Bit) plugin in FL Studio. This library has two types of attacks: hard and soft. This product was re-introduced in July 2022 by popular demand. All the elements of the library (legatos, sustains, attacks, releases, etc) are on the same delay. The library is heavily optimized for this delay amount. NOTE ON DELAY: this library has a moderately delayed response when playing (140.1 ms) to further the musicality of the legatos and releases. ![]() ** the same hall as Caspian, Fluid Shorts, Fluid Shorts II, and Pacific * optimized specifically for the hard attacks Download and watermarking via Continuata.Built for Kontakt 5.5.1 and above – full, retail version of Kontakt required.Recorded in an ambient hall** with multiple mic positions:.Release samples that respond fluently to note-length variation*.Multiple attack types (hard and soft) triggered via velocity.“Active-bow” sustains (non-static longs that move and evolve while simultaneously maintaining the dynamic/timbre).Bow-change legato con moto (legato with movement in the bowing and vibrato).Three dynamic layers, from moderately soft to FFF. ![]()
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